Of the Beaumarchais Figaro trilogy of plays, The Barber of Seville and The Marriage of Figaro live on both in their own right and through the operas that mark cornerstones of the repertory, while the third play, The Guilty Mother, has provided the foundation for a fascinating, challenging 20th-century work.
For many, The Marriage of Figaro represents the “perfect” opera—that elusive, ideal blend of sublime music and drama, humane comedy and human foible, social satire and compassionate resolution.
The inspired suggestion of Auden as librettist came from Stravinsky’s neighbor, Aldous Huxley. Auden had been an opera lover for years, a passion he shared with his devoted-yet-fickle lover Chester Kallman, whom Auden brought on as co-librettist.
"Boston Globe: Did the Star-Spangled Banner land Stravinsky in jail?" An irresistible headline, a famous photograph…but it may all be just a kind of urban legend, “fake news” before its time. The real story is rather more complex and interesting.
Stravinsky: A face of infinite variety and music of an almost unprecedented range of stylistic mastery.
Jane Eaglen made her American debut with the Boston Pops Esplanade Orchestra in the Hatch Memorial Shell on July 3 and 4, 1992. The soprano had been singing professionally in her native Britain for eight years and stood on the cusp of what turned out to be a major international career. Jane Eaglen made her American debut with the Boston Pops Esplanade Orchestra in the Hatch Memorial Shell on July 3 and 4, 1992. The soprano had been singing professionally in her native Britain for eight years and stood on the cusp of what ...
The man to talk to about in the second half of Boston Lyric Opera's 2016/17 Season is David Cushing. The New Hampshire-born bass-baritone is the only soloist who will appear in both of the remaining productions, Stravinsky's The Rake's Progress and Mozart's The Marriage of Figaro.
After this triumph of neoclassicism, Stravinsky abruptly changed compositional course, subsequently writing in the style of musical serialism (closely associated with that other 20th-century titan of composition, Arnold Schoenberg). The upcoming BLO production will use The Rake’s Progress to explore this pivotal moment in Stravinsky’s career: the creative team has secured permission from the Stravinsky estate to add the non-singing role of Stravinsky to the opera.