The Fall 2016 Issue of Coda, Boston Lyric Opera's Magazine, is HERE. Check it out by clicking the image below: #CarmenBLO #40daysofOpera
Carmen and the best and sexiest entrance music ever given to any operatic character: the Habanera. And…it’s NOT BY BIZET! He appropriated the tune and set the melody to different words, thinking it to be a folk song.
The character of Carmen as originally imagined by Mérimée was a feisty, brazen woman who defied stereotypes of how a 19th century woman was supposed to behave. And as the opera Carmen grew in popularity...
If you want a more complete picture of Spanish culture, study bullfighting. Famous writers of various nationalities have eloquently expressed that sentiment from Federico García Lorca to Ernest Hemingway, most notably in the American author’s Death in the Afternoon. “It is impossible to believe the emotional and spiritual intensity and the pure, classic beauty that can be produced by a man, an animal and a piece of scarlet serge,” Hemingway wrote in 1932.