Saturday, November 23, 2013 | 11am – 3pm
The Castle at Park Plaza
130 Columbus Avenue, Boston
FREE for all ages!
For the first time, Boston Lyric Opera hosts its free Open House with our Opera Annex production, Jack Beeson’s Lizzie Borden. Investigate the Borden murders, discover how an empty space is transformed into an opera space, and experience opera in a casual, exciting way.
Performances: Inspired by Lizzie Borden, see a selection of famous, musical murder scenes featuring BLO Artists.
Meet the real Lizzie Borden: Hear from Borden case expert Stefani Koorey, Ph.D., about the real woman suspected in one of America’s most infamous crimes. Join the grand jury and explore case evidence and witness testimony in a special exhibit. Cast your vote of guilty or not guilty.
Backstage Tours: Get an inside look into the production with set models, costume displays, and make-up demonstrations.
Want to volunteer at BLO’s Open House? Contact David Lucey at firstname.lastname@example.org for more information.
Stage | 11:30 a.m. and 1:15 p.m.
Inspired by Jack Beeson’s Lizzie Borden, appreciate the intensity of murder in musical theater. BLO Artists perform murder scenes from both opera and Broadway.
Featuring performances by So Young Park, Michelle Trainor, Sandra Piques Eddy, and David Cushing, Piano accompaniment by Brett Hodgdon
The Documentary Life of Lizzie Borden with Stefani Koorey, Ph.D.
Stage | 12:15 p.m. and 2:00 p.m.
Who was the real Lizzie Borden? Join Dr. Stefani Koorey, Borden case expert and author of The Hatchet: A Journal of Lizzie Borden and Victorian Studies, for a glimpse into life in 1892 Fall River, Massachusetts.
Self Guided Tours | 11:00 a.m., 12:00 p.m., 12:45 p.m., 1:45 p.m., 2:30 p.m.
Get to know Lizzie Borden, both behind the scenes and on stage. View set models and costume displays for BLO’s Opera Annex production of Lizzie Borden.
Front of House
On the Backstage Tour
What does it take to turn an empty space into an opera space? Learn about BLO’s Opera Annex series and watch the set construction of last season’s Opera Annex production, James MacMillan’s Clemency, at the Artists for Humanity EpiCenter. Video produced by the Artists for Humanity Media Studio.
All About Opera
Back of House | all day
Follow the historic timeline of this living art form and learn how opera has evolved in style and subject through the centuries. Explore BLO set models and more.
On the Backstage Tour
Step up to the conductor’s podium and visit the Opera Annex’s make-shift orchestra pit, for this newly-commissioned chamber version of Lizzie Borden.
On the Backstage Tour
View costume displays and see where the cast prepares for this world-premiere performance.
Wig and Makeup Demos
Dressing Rooms | 11:00 a.m., 12:45 p.m., 2:30 p.m.
Join BLO makeup and wig artists outside the dressing rooms for a demonstration on Victorian and horror makeup.
Explore, Investigate, Decide!
CSI: Fall River
Inner Lobby | All day
Discover what really happened in 1892 Fall River. View evidence and suspect photos from the Borden murder case, hear witness testimony, and explore the sensational press coverage from the infamous crime. Take your seat in the jury box and cast a vote of guilty or not guilty.
Boston Opera Producer’s Exposition
All About Opera Exhibit
Get to know your Boston opera community. Learn about local performances, opera education programs, and more!
Guerilla Opera is a unique company that combines both the traditions of Ensemble Theater with the New Music Chamber Ensemble to create fully staged productions. Performing in small, black box settings, and employing a trim retinue of some of Boston’s most virtuosic singers and instrumentalists, this company is designed to deliver a ferocious and vibrant experience to the concert going public. They exclusively perform newly commissioned operas to develop a repertoire unique to the group and, in the process, give voice to a new generation of operatic composers. By combining an in-your-face intimacy, culturally relevant subject matter, and low ticket prices, Guerilla Opera will expand the definition of who an opera-goer can be.
Intermezzo was born out of a vision to produce contemporary chamber operas and bring new and exciting works to the musical life in New England. Chamber opera merges the musical and dramatic flavor of grand opera with the immediacy of art song, performed on a smaller, more intimate scale. Our focus is on performing contemporary 20th and 21st century chamber works, particularly by American composers, and sung in English. Beginning in 2003 Intermezzo has pursued a path of bringing some of the area’s most exciting singers, composers, and directors together to produce classic, rarely performed works, and new commissions to the stage. We are very proud of our success over the past nine seasons, with over twenty-five productions, nine commissions, critical acclaim, and a growing following.
Boston Opera Collaborative was founded in 2005 by Brooke Larimer, Katie Drexel, and Markus Hauck. All three artists sought to create a company that would provide the necessary performing experience for operatic artists seeking a professional career after completing post-graduate studies. Thus, BOC was formed to give these artists opportunities to perform leading and supporting operatic roles, as well as to continue developing all aspects of their growth as a performer.
In addition to providing high quality performance opportunities, BOC provides its artists invaluable training and hands on experience in the administrative skills needed to run a successful opera company. BOC’s artists comprise all of the administrative staff for the company, from the executive team to the individuals who constitute each committee.
Founded in 2007 in association with the Sebastian Chamber Players of New York City, OperaHub is committed to bringing high-caliber, accessible, fresh interpretations of opera to the greater Boston community.
We are dedicated to creating a unified musical/dramatic experience through collaboration with local artists, focusing on innovation and experimentation in the production of opera.
We believe that opera performed in an intimate setting gains vibrancy and depth, and that affordable, accessible performance of opera should also be exciting, beautiful, and fresh.