CREATIVE TEAM
christopher oscar peña
Creator
christopher oscar peña | Lead Writer and Creator
Recently named an Artistic Associate at Arizona Theatre Company, christopher oscar peña is a story-teller originally from California, now residing in New York and LA. Recent world premieres include his plays The Strangers, commissioned and produced by the Clarence Brown Theatre, and a cautionary tail, produced by the Flea Theatre. He recently co-directed the world premiere adaptation of Jack Kerouac’s The Haunted Life at Merrimack Repertory Theatre. His work has been developed by Playwrights Horizons, the Goodman Theater, Public Theater, Two River Theater, INTAR, Ontological Hysteric Incubator, Playwrights Realm, Rattlestick Playwrights Theatre, Old Vic, Orchard Project, Naked Angels, and New York Theatre Workshop, among others. Upcoming projects include his first musical, an adaptation of the novel, The First Rule of Punk, commissioned by The Children’s Theatre Company in Minneapolis, and the world premiere of his play how to make an American Son in a co-production between Arizona Theatre Company and Rattlestick Playwrights Theatre. In television, he wrote for the Golden Globe-nominated debut season of the CW show Jane the Virgin, HBO’s Insecure, Starz original Sweetbitter, Freeform’s Motherland: Fort Salem, and is currently developing an original series for Netflix. christopher is a proud member of New Dramatists, an Artistic Patriot at Merrimack Rep, and has been published by NoPassport Press and Smith & Krauss. A two-time Sundance Institute Theater Fellow, he has also held fellowships with the Lark Play Development Center, was a recipient of the Latino Playwrights Award, an Emerging Artist Fellow at New York Theatre Workshop, Playwrights Realm Writing Fellow, and was a part of the US/UK Exchange (Old Vic New Voices).
Ellen Reid
Creator
Ellen Reid | Creator
Ellen Reid is known as one of the most innovative artists of her generation. A composer and sound artist whose breadth of work spans opera, sound design, film scoring, ensemble and choral writing, she was awarded the the 2019 Pulitzer Prize in Music for her opera, p r i s m. Along with composer Missy Mazzoli, Ellen co-founded the Luna Composition Lab. Luna Lab is a mentorship program for young, female-identifying, non-binary, and gender nonconforming composers. Since the fall of 2019, she has served as Creative Advisor and Composer-in-Residence for Los Angeles Chamber Orchestra. Ellen received her BFA from Columbia University and her MA from California Institute of the Arts. She is inspired by music from all over the globe, and she splits her time between her two favorite cities – Los Angeles and New York. Her music is released on Decca Gold.
James Darrah
Creator
James Darrah | Creator
Director and designer James Darrah’s visually and emotionally arresting work at the intersection of theater, opera and film is currently in demand in venues all over the world. His productions of operas, theater, music videos, film, and installations are known for their elegance with virtuosic and visceral work that merges innovative design with unexpected movement, narrative heft, and dance. Darrah is Artistic Director of the ONE Festival, where he is framing opera in a context that is both inclusive and relevant while establishing a first of its kind operatic artist residency for myriad artists in the genre. He is also committed to training the next generation of singer and performer, joining the UCLA Faculty of the Herb Alpert School of Music in 2019 where he has brought new productions of works by contemporary composers Higdon, Mazzoli, Reid and Jonathan Dove and Kaija Saariaho. He was co-artistic director/founder of Chromatic, a new collective of artists and production company in Los Angeles from 2014-2016. He holds an MFA in Theater, Film and Television from UCLA and later continued studies with Stephen Wadsworth at The Juilliard School.
WRITERS ROOM
Joy Kecken
Writer, Deputy Lead Writer
Joy Kecken | Deputy Lead Writer
Joy Kecken is a critically acclaimed writer, director, and producer. She wrote and directed for the critically acclaimed HBO series, The Wire, and worked as a Supervising Producer on the second season of Marvel’s Cloak and Dagger. She also broke story as a Consulting Producer on the award-winning feature documentary, The Biggest Little Farm, that made the 2020 Oscar short list, as well as appeared on the festival circuit at Telluride, TIFF, Sundance, and Berlinele. This past March, she co-executive-produced the new Freeform series, Motherland: Fort Salem, that was supposed to premiere at SXSW, where she met christopher oscar peña and began working together on his series, Joyland, for Freeform. Her feature film script set in the high-stakes poker world, All-In, was honored by the WGA for the Feature Access Project Award. She has also received two WGA commendations for her contributions to television, which include her episodes for Homicide: Life on the Street. Joy’s additional projects have been optioned by Lifetime, E1, and the BBC Scotland. Her shorts and feature documentary screened at over 30 film festivals and appeared on Showtime and BET.
Kirsten Greenidge
Writer
Kirsten Greenidge | Writer
Recently recognized as playwright laureate of Boston, Kirsten Greenidge is the author of Beacon; Little Row Boat; Feeding Beatrice; Our Daughters, Like Pillars; Greater Good; Baltimore; Bud Not Buddy (an adaptation of the children’s novel by Christopher Paul Curtis, with music by Terence Blanchard) The Luck of the Irish; and Milk Like Sugar, which was nominated for a Lucille Lortel Award and received an Independent Reviewers of New England Award, a San Diego Critics Award, and a Village Voice Obie Award, among others. She’s enjoyed development experiences at the Family Residency at the Space at Ryder Farm, the Huntington’s Summer Play Festival, Cleveland Playhouse as the 2016 Roe Green New Play Award recipient, The Goodman, Denver Center, Sundance, Bay Area Playwright’s Festival, Sundance at Ucross, and the O’Neill. Kirsten is currently working on commissions from the Huntington (Common Ground with Melia Bensussen), La Jolla Playhouse (To the Quick), and Oregon Shakespeare American Revolutions Project (Roll, Belinda, Roll). A recent PEN/Laura Pels Playwrighting Award recipient and current Andrew W. Mellon/Howlround Fellow in residence at Company One Theatre, she is an alum of New Dramatists, a member of the Honor Roll, and has been featured on the Kilroys list of New Plays by women and women-identified playwrights. She oversees the BFA playwrighting track at Boston University’s School of Theatre where she is currently acting co-chair of Performance and acting chair of Theatre Arts.
Roxie Perkins
Writer
Roxie Perkins | Writer
Roxie Perkins is an artist who writes and directs for theatre, opera, TV, and film. Her work has been programmed at The Kennedy Center’s DIRECT CURRENT Festival, REDCAT, La MaMa Experimental Theatre Club, New York Philharmonic, Jazz at Lincoln Center, PROTOTYPE Festival, LA Opera, Opera Omaha’s ONE Festival, Cutting Ball Theater, A Noise Within’s “Noise Now” Artist Residency, Crowded Fire Theater’s Matchbox Reading Series, The Tank NYC, The LARK’s Roundtable Reading Series, On The Verge Summer Repertory Theater, and internationally at Theatro Municipal in São Paulo. She is the librettist of Ellen Reid’s Pulitzer Prize winning opera “p r i s m“, which won The Music Critics Association of North America’s 2019 “Best New Opera” Award and is currently a nominee for “Best World Premiere” at the International Opera Awards of 2020 for James Darrah’s production. Roxie has been awarded a Sundance Playwright Fellowship, and her plays have been a semi-finalist for the Eugene O’Neill National Theatre Conference and the Princess Grace Award. Her writing has been nominated to The Kilroy’s “THE LIST” and We For She’s “WriteHer List,” annual rankings of the best unproduced plays and original TV pilots by women.
A. Rey Pamatmat
Writer
A. Rey Pamatmat | Writer
Rey’s play Edith Can Shoot Things and Hit Them began a rolling world premiere at the Actors Theatre of Louisville’s Humana Festival of New American Plays, earned a Steinberg/ATCA New Play Award Citation and a GLAAD Media Award nomination, and continues to play across the United States. He has written a trilogy, Safe, Three Queer Plays, which follows the seismic changes in Queer America through a gay man of color’s romantic and artistic life. Additional full-length plays include House Rules (Ma-Yi), after all the terrible things I do (Milwaukee Rep, Huntington, AboutFace) and Thunder Above, Deeps Below (Second Generation). His newest play Blood in your Blood was developed at NYU and the Sundance Theater Program in Morocco. Short works include Tilda Swinton Betrayed Us (Keen Company), This Is How It Ends (59E59’s Summer Shorts) and Gratuitous Nudity and the Undisclosed Costs of Questioning Surveillance Rather Than Bad Broccoli (Actors Theatre of Louisville). He has written for the tv series NOS4A2 and is currently developing a pilot for AMC. His plays are published by Samuel French and Playscripts. Rey is a proud member of the Ma-Yi Writers Lab (Co-Director 2014-18), teaches at Cornish College of the Arts, and was a Hodder, PoNY, and Princess Grace Fellow.
Ryan J. Haddad
Writer
Ryan J. Haddad | Writer
Ryan J. Haddad is an actor, playwright, and autobiographical performer based in New York. His acclaimed solo play Hi, Are You Single? was presented in The Public Theater’s Under the Radar Festival and continues to tour the country. Other New York credits include My Straighties (Ars Nova/ANT Fest), Noor and Hadi Go to Hogwarts (Theater Breaking Through Barriers), and the cabaret Falling for Make Believe (Joe’s Pub). Regional credits include The Maids, Lucy Thurber’s Orpheus in the Berkshires (Williamstown Theatre Festival), and Hi, Are You Single? (Guthrie Theater, Cleveland Play House, Williamstown Theatre Festival). He has a recurring role on the Ryan Murphy Netflix series “The Politician.” Additional television credits include “Bull,” “Madam Secretary,” and “Unbreakable Kimmy Schmidt.” Haddad has performed original work at La MaMa E.T.C., the New Museum, and The LGBT Center of New York City. His plays in development include Good Time Charlie and Dark Disabled Stories. He is a member of The Public Theater’s Emerging Writers Group and a former Queer|Art Performance and Playwriting Fellow, under the mentorship of Moe Angelos. Learn more at www.ryanjhaddad.com and follow him on social at @ryanjhaddad.
Jesse J. Sanchez
Writer
Jesse J. Sanchez | Writer
Jesse J. Sanchez is a Latinx artist who writes, composes, and music directs for theatre, opera, TV, and film. Nominated for an educator Grammy in 2014, he is currently in residence as Artistic Music Supervisor of the Oregon Shakespeare Festival. His works have been heard at the New York Theatre Barn, Huntington Theatre Company, FOGG Theatre SF, Arizona Theatre Company, Oregon Shakespeare Festival, The Choreography Lab, Hartford Stage, Alley Theatre, The 24 Hour Plays, and The Green Room 42 (NYC), among others. He has music directed in professional theaters across the country including Roundabout Theatre Company, Hartford Stage, The Alley Theatre, Oregon Shakespeare Festival, American Conservatory Theater, Huntington Theater Company, Arizona Theatre Company, Theatreworks Silicon Valley, and more. He has been involved in multiple writing rooms as a songwriter with Netflix (unannounced projects), and his plays and musicals have been a semi-finalist for the O’Neill National Music Theater Conference, National Alliance for Musical Theatre, and Bay Area Playwrights Festival. For more information, visit www.jessejsanchez.com
Quentin Nguyen-duy
Writer
Quentin Nguyen-duy | Writer
Quentin Nguyen-duy is an actor and playwright from Ashland, OR. Past acting credits include: Vietgone (Quang Nguyen) Company One, American Hwangap (Ralph Chun) Interlochen Shakespeare Festival, Twelfth Night (Duke Orsino) Oberlin College, LONG (James) The Barrow Group, and S.W.I.M (James Wakahisa) SpeakEasy Stages. Alongside his work as an actor, Quentin also transforms his passion for dramatic storytelling into generating his own plays. Recently, his full-length show Amputees has been presented at the Boston University Fringe Festival and by the Asian American Playwrights’ Collective (AAPC) in their Cape Cod Festival and ArtsEmerson. During his time in lockdown, Quentin co-wrote, filmed, and acted in an NYC-based web series called The Social Distance, finished his second full-length play SOAPBOX, and is currently commissioned by the Pao Arts Center to co-author his third full-length play #SinceYallWantMeToBeWhite. Quentin holds a BFA in Theatre Arts from Boston University and attended Interlochen Arts Academy. His work, as well as some info about his artistry, can be found here: quentinnguyenduy.com