RETRO+ Short Cuts

RETRO+ is the operabox.tv channel highlighting performances from Boston Lyric Opera’s archives. BLO Artistic Advisor and legendary theater designer John Conklin joins forces with filmmaker Greg Emetaz for RETRO+ Short Cuts, a debut series that sets classic BLO opera moments to evocative videos of found footage and iconic imagery.

Short Cuts is available free as part of BLO’s [insert:opera] initiative that brings free, fresh digital content and events to you anytime, and anywhere, you want it.

“Casta Diva” from Bellini’s Norma

 

The operatic zenith of Bellini’s tale of a doomed Druid priestess sends prayers to the heavens in the light of a full moon. Sung by Elena Stikhina in BLO’s never-seen 2020 production, Norma’s prayer is the musical foundation for an awe-inspiring display of humankind’s own journeys into space.

Artist Info

Elena Stikhina

NORMA, with OROVESO and CHORUS:
Chaste goddess,
Who bathes in silver light
This sacred grove,
Turn your face upon us,
That radiant face, unclouded, unveiled.
Bring calm, o goddess.
Temper the burning hearts,
The wild courage of thy people.
Enfold the earth
In luminous peace,
Which, through you, reigns in heaven.

“Casta Diva” from Bellini’s Norma
Live stage production at Emerson’s Cutler Majestic Theater – 2020

Video by John Conklin and Greg Emetaz
Sung by Elena Stikhina as Norma (with Alfred Walker as Oroveso)
Conducted by David Angus
With the Boston Lyric Opera Orchestra
Concertmaster – Annie Rabbat
Chorus Master – Brett Hodgdon
Post-Production Sound Editing – Immersive Music Project

“Quartet” from Verdi’s Rigoletto

 

From the beauty of a four-leaf clover, to the symmetry of a traffic cloverleaf, the push-pull between nature and man underscores the interwoven melodies of the famous four-part ensemble. Drawn from BLO’s 2014 production, the piece features vocals by Audrey Babcock, Michael Mayes, Nadine Sierra, and Bruce Sledge.

Artist Info

Nadine Sierra

Audrey Babcock

Bruce Sledge

Michael Mayes

THE DUKE:
One day in the street I saw your lovely face,
And from that moment I could think only of you.
MADDALENA:
Liar, you’ve said that a million times.
THE DUKE:
Women just can’t resist me.
MADDALENA:
But I will not be one of them.
THE DUKE:
Don’t make a scene… just give in.
These white hands – so soft…
MADDALENA:
You’re joking. They’re ugly.
THE DUKE:
Kiss me.
MADDALENA:
You’re drunk.
THE DUKE:
Only with love.
MADDALENA:
You bastard.
THE DUKE:
I’ll even marry you.
MADDALENA:
Careful… I might believe you.
THE DUKE:
I never lie.
RIGOLETTO:
Heard enough?
GILDA:
He’d marry her?
THE DUKE:
Beautiful daughter of Venus, I am your slave.
Say yes and my suffering ends.
Feel the beating of my heart.
MADDALENA:
Talk is cheap.
GILDA:
They speak of love…
MADDALENA:
You are nothing but trouble.
GILDA:
…words he spoke once to me.
RIGOLETTO:
Quiet… weeping is useless.
GILDA:
My love… betrayed, broken.

“Quartet” from Verdi’s Rigoletto
Live Stage Production at Citi Performing Arts Center Shubert Theatre – 2014

Sung by
Nadine Sierra as Gilda
Audrey Babcock as Maddalena
Bruce Sledge as The Duke of Mantua
Michael Mayes as Rigoletto
Conducted by Christopher Franklin
With the Boston Lyric Opera Orchestra
Concertmaster – Sandra Kott
Post-Production Sound Editing – Immersive Music Project

“Largo al factotum” from Rossini’s The Barber of Seville

Largo al factotum from Rossini's The Barber of Seville

 

In this video, the mayhem of Figaro the Barber’s daily routine is recounted by Keith Phares in BLO’s 2002 production in a visual tribute to absurdist painter René Magritte, with a nod to Monty Python’s iconic animations.

Artist Info

Keith Phares

I’m the factotum of the town
All things to all people
Off to the shop … dawn is breaking
What a charmed life … what a pleasurable existence All that is the reward due to a barber of such high quality

Bravo Figaro … superb … the very best
Well done, Figaro

Ready for anything … night and day
Never tired … always on call
The role of a barber is the greatest joy

Scissors , razors, combs at the ready
But there are other affairs to be dealt with

Everyone asked for me … everyone needs me Old men and maidens … matrons and gallants “Where’s my wig” “Quick, I must have a shave”
“I need a pill” “Deliver with this love note”
“Figaro”… “Figaro”… ”Figaro”

Please no more shouting… speak one at a time “Hey, Figaro” “Here I am”
Figaro here… Figaro there
Figaro up… Figaro down

Indispensable… irrepressible
Bravo Figaro… bravo… bravissimo
Blessed by good fortune… and a blessing in turn to all the town

“Largo al factotum” from Rossini’s The Barber of Seville
Live stage production at Citi Performing Arts Center Shubert Theatre, 2002

Video by John Conklin And Greg Emetaz
Sung by Keith Phares as Figaro
Conducted by Stephen Lord
With the Boston Lyric Opera Orchestra
Concertmaster – Sandra Kott
Post-Production Sound Editing – Immersive Music Project

“The Murder Ballad of Mack the Knife” from Brecht and Weill’s The Threepenny Opera

The Murder Ballad of Mack the Knife from Brecht and Weill's The Threepenny Opera

 

A startling array of vintage film footage from pre-World War II Germany underscores Daniel Belcher’s 2018 performance of the restless, foreboding tune that recounts the gruesome crimes of the charming Macheath.

Artist Info

Daniel Belcher

Oh, the shark’s teeth, you can see them always ready to attack;
but you won’t see Mackie’s knife-blade till you feel it in your back.

On a sunny Sunday morning there’s a dead man on the street
while a live one turns the corner: Mack the knife’s still on his feet.

Millionaires keep disappearing. Meyer Goldberg’s gone away.
Mack the knife spends Meyer’s gold now; how he got it we can’t say.

The police found Jenny Taylor with a knife-blade in her gut;
Mack the knife strolls by the harbor, says he never met the slut.

What about that fire in Soho? Seven kids died in the smoke.
Mack the knife stands in the crowd and laughs. No one asks him what’s the joke.

And that well-known teen-age widow, whose name the papers won’t reveal
she woke up and someone raped her. Mackie how’d that make you feel?

“The Murder Ballad of Mack the Knife” from Brecht and Weill’s The Threepenny Opera
Live stage production at Huntington Avenue Theatre, 2018

Video by John Conklin And Greg Emetaz
Sung by Daniel Belcher as the Ballad Singer
Conducted by David Angus
Chamber Ensemble from the Boston Lyric Opera Orchestra
English Translation – Michael Feingold 
Post-Production Sound Editing – Immersive Music Project 

Published by BMG Gold Songs (ASCAP) obo Kurt Weill Foundation for Music (ASCAP)
All rights on behalf of Kurt Weill administered by BMG Rights Management (US) LLC
All rights on behalf of Bertolt Brecht (ASCAP) administered by WC Music Corp.

“Vissi d’arte” from Puccini’s Tosca

Vissi d'arte from Puccini's Tosca

 

Set to Elena Stikhina’s debut performance at Boston Lyric Opera, Conklin and Emetaz weave together footage of the greatest screen legends — from Gloria and Beyoncé, to Whitney and Marilyn – as an homage to the Diva.

Artist Info

Elena Stikhina

TOSCA:
I have lived for art, I have lived for love
I have never harmed a living soul
I have quietly helped any people in trouble
I have prayed to You, O Lord, with fervent prayers
I have given flowers to decorate Your altars
And yet, in my hour of grief, why,
Why have You repaid me thus?
I have given jewels to enrich the cloak of the Madonna
I have offered my song up to You in the starry heavens
And yet in my hour of despair why, O Lord,
Why have You deserted me?

SCARPIA:

Have you made up your mind?

TOSCA:

I beg for mercy at your feet.

Vissi D’Arte form Puccini’s Tosca
Live stage production at Emerson’s Cutler Majestic Theater, 2017

Video by John Conklin and Greg Emetaz

Sung by Elena Stikhina as Tosca (with Daniel Sutin as Scarpia)

Conducted by David Stern

With the Boston Lyric Opera Orchestra

Concertmaster – Sandra Kott

Post-Production Sound Editing – Immersive Music Project

So This is Love – 1953
Phantom of the Opera – 2004
Fanny and Alexander – 1982
The Greatest Showman – 2017
A Star is Born – 1976
A Star is Born – 2018
A Star is Born – 1954
Gentlemen Prefer Blondes – 1953
The Bodyguard – 1992
Diva – 1981
The Fifth Element – 1997
Farewell my Concubine – 1993
All that Jazz – 1979
Cabaret – 1972
Being Julia – 2004
Kinky Boots – 2005
The Last Metro – 1980
Hustlers – 2019
Death becomes Her – 1992
Children of Paradise – 1945
The Band Wagon – 1953
To Wong Foo (Thanks for Everything Julie Newmar) – 1995
Moulin Rouge – 2001
Opening Night – 1977
Judy – 2019
Dream Girls – 2006
Metropolis – 1927
Opera – 1987
A Chorus Line – 1985
The Phantom of the Opera – 1925
Chicago – 2002
Burlesque – 2010
Camp – 2003
42nd Street – 1933
Sunset Boulevard – 1950
Florence Foster Jenkins – 2016
The Adventures of Pricilla Queen of the Desert – 1994
A Star is Born – 1937
Floating Weeds – 1959
Summer Stock – 1950
Sister Act – 1992
Mama Mia! Here We Go Again – 2018
Mrs. Henderson Presents – 2005
Birdman – 2014
Selena – 1997
Hannah Montana: The Movie – 2006
Joyful Noise – 2012
Glee – 2009
Hun Dil De Chuke Sanam – 1999
Topsy-Turvy – 1999

“Der Hölle Rache” from Mozart’s The Magic Flute

Der Hölle Rache from Mozart's The Magic Flute

 

This Queen of the Night’s revenge aria never fails to bring down the house. In this clever pastiche, So Young Park’s 2013 Boston Lyric Opera performance turns buildings to rubble, shatters glasses, and summons both clouds and lightning with vocal precision.

Artist Info

So Young Park

QUEEN
Put out the lights.
My heart is black with fury.
Death to Sarastro!
Death to Sarastro!
You must snuff him out.
Daughter of mine,
if you refuse to help me,
if you refuse to help me,
my cool blue light will fade to nothingness.
If you refuse,
then the battle will be through.
(Vocalization)

Now you know what you must do.
(Vocalization)
The stars that light the night depend on you.

Beware if you deny me.
Beware if you defy me.
You don’t want to try me.
Hear my cry or be disowned.
Deny me? Defy me? Do not try me!
Kill Sarastro, or we die.
Kill Sarastro…
Kill Sarastro or we die.
The sky is mine.
Sarastro’s time is over.
Blot him out.
That’s an order.
Kill…. or I kill you.

Queen of the Night’s Aria form Mozart’s The Magic Flute
Live stage production at Citi Performing Arts Center Shubert Theatre, 2013

Video by John Conklin and Greg Emetaz

Sung by So Young Park as Queen of the Night

Conducted by David Angus

With the Boston Lyric Opera Orchestra

Concertmaster – Sandra Kott

English lyrics by Kelley Rourke

Post-Production Sound Editing – Immersive Music Project

Creators

John Conklin

Greg Emetaz