PAGLIACCI
SEP 27 – OCT 6, 2019
Music and Libretto by Ruggero Leoncavallo
English translation by Bill Bankes-Jones
Sung in English and Italian with English surtitles
Runs approximately 90 minutes with no intermission
There is no re-entry, no late seating. There will be action throughout the spaces and performers moving throughout the audience. Please note that this production uses haze, guns, knives, a whip, a cannon, cannon sound effects, stage blood, strobing lights and atmospherics.
Join us an hour before doors open for a variety of food trucks uniquely curated by Roaming Hunger. Each performance will have a different variety of food options from local companies.
After having a bite to eat, doors will open where you will be able to enjoy a traditional carnival atmosphere complete with energy readers, acrobats, carnival games, performances from local performers and more.
When the performances wrap up, you will be invited into the big top where you will take your seats for the main event, a performance of Pagliacci unlike anything you have seen before.
ICONIC MUSIC | JEALOUSY & PASSION | IMMERSIVE, ONE-OF-A-KIND INSTALLATION
When a traveling troupe arrives to perform in a bustling town, the secrets and jealousies among them threaten to explode onstage—with deadly consequences. BLO presents its first-ever Pagliacci through a carnival-style installation that mirrors the “play within a play” of the opera and invites audiences to step into the drama.
Program
“So, if you’re intimidated by the Carmens and Barber of Sevilles of the world, this is your shot—it’s not often that opera comes with a side of cotton candy.” –Boston Magazine
CHARACTERS
Canio, the leader of the commedia dell’arte troupe; takes the role of Pagliaccio, the clown, in the play
Nedda, the troupe’s leading actress, married to Canio but secretly in love with Silvio; plays Colombina, married to Pagliaccio but in love with Arlecchino
Tonio, the fool of the troupe; plays Taddeo, Colombina’s servant
Beppe, an actor; plays Arlecchino
Silvio, a villager and Nedda’s lover
In a prologue, Tonio enters dressed as the fool and speaks to the audience directly. He hints of the story they are about to see and reminds them that actors are real people who experience emotions and passions, as they do.
In a village, the townspeople eagerly cheer the arrival of a commedia dell’arte troupe. Canio, Nedda, Tonio, and Beppe, all dressed as their characters, drum up business. But when Tonio offers Nedda a hand, Canio angrily helps her himself, threatening violence against any man who touches his wife.
Nedda is disturbed by Canio’s vehemence, and she worries that he suspects her secret. Tonio returns and confesses his love for her, but she laughs at him. When Tonio tries to assault her, she strikes back at him. Tonio retreats, vowing his revenge. Silvio, a young man of the village who is Nedda’s lover, enters; he has just left the tavern where Canio and Beppe are drinking. Silvio and Nedda embrace and agree to run away together. Tonio, who has been listening, leaves to warn Canio, and the two rush back to catch Nedda’s lover, but Silvio escapes before they can identify him. Canio is enraged and demands Nedda tell him who he is; she refuses. He pulls a knife on her, but Beppe disarms him and persuades everyone to get ready for the show, as the audience is beginning to arrive. Tonio whispers to Canio that Nedda’s lover will reveal himself during the performance. Alone, Canio prepares to become the clown.
Nedda, dressed as Colombina, collects money from the audience as they arrive and whispers a warning to Silvio as he joins the crowd. The play begins: Colombina’s husband is out and she is waiting for her lover Arlecchino, who serenades her. Her servant Taddeo confesses his love, but she and Arlecchino mock him. The lovers dine and plan to elope. Taddeo bursts back in with a warning of Pagliaccio’s arrival, and Arlecchino escapes.
Pagliaccio enters and confronts Colombina, but Canio quickly loses control of himself and demands to know the name of his wife’s lover. Nedda tries to bring him back to the plot of the play, calling him “Pagliaccio,” but Canio’s anger only escalates. The audience cheers, unaware of the rising tension. Beppe tries to intervene, but Tonio stops him. Silvio fights his way through the crowd. Nedda steadfastly refuses to reveal her love, and Canio explodes with rage…
Pagliacci Study Guide
Rafael Rojas
as Canio
Lauren Michelle
as Nedda
Michael Mayes
as Tonio
Tobias Greenhalgh
as Silvio
Omar Najmi
as Beppe-Harlequin
David Angus
Conductor
David Lefkowich
Stage Director
Julia Noulin-Mérat
Set Designer
Charles Neumann
Costume Designer
Pablo Santiago
Lighting Designer
Chorus
Chorus Master Brett Hodgdon
Soprano
Alisa Cassola
Molly Crookedacre
Helen Hassinger
Kelley Hollis
Tamra Grace Jones
Marie McCarville
Abigail Smith
Isabelle Zeledon
Alto
Heather Gallagher
Felicia Gavilanes
Jaime Korkos
Katherine Maysek
Sophie Michaux
JoAnna Pope
Arielle Rogers
Vanessa Schukis
Tenor
David Rivera Bozón
Ethan Bremner
Christon Carney
Christopher Maher
Thomas Oesterling
Patrick Starke
Fred VanNess
Bass
Jorgeandrés Camargo
Junhan Choi
Kamil Ekinci
Fred Furnari
Taylor Horner
Nicholas LaGesse
Todd McNeel
Marcus Schenck
Ron Williams
Orchestra
Concertmaster Annie Rabbat
Violin I
Heidi Braun-Hill, Acting Concertmaster
Colin Davis
Sandra Kott
Tera Gorsett Keck
Roksana Sudol
Janny Joo
Heather Braun Bakken
Robert Curtis
Rose Drucker
Pattison Story
Violin II
Sarah Atwood, Principal
Lena Wong
Asuka Usui
Sue Carrai
Nivedita Sarnath
Annegret Klaua
Piotr Buczek
Joseph Lorang
Viola
Kenneth Stalberg, Principal
David Feltner
Donna Jerome
Don Krishnaswami
Joan Ellersick
Noriko Futagami
Cello
Aron Zelkowicz, Acting Principal
Melanie Dyball
Jan Pfeiffer-Rios
Eleanor Blake
Bass
Robert Lynam, Principal
Barry Boettger
Kevin Green
Flute
Linda Toote, Principal
Iva Milch
Flute/Piccolo
Ann Bobo
Oboe
Nancy Dimock, Principal
Oboe/English Horn
Grace Shyrock
Clarinet
Jan Halloran, Principal
Nicholas Brown
Bass Clarinet
Karen Heninger
Bassoon
Rachel Juszczak, Acting Principal
Margaret Phillips
Jensen Ling
French Horn
Kevin Owen, Principal
Dirk Hillyer
Clark Matthews
Iris Rosenstein
Trumpet
Bruce Hall, Principal
Jesse Levine
Dana Oakes
Trombone
Robert Couture, Principal
Hans Bohn
Donald Robinson
Tuba
Donald Rankin, Principal
Harp
Anna Ellsworth, Acting Principal
Judy Saiki
Timpani
Jeffrey Fischer, Principal
Percussion
Richard Flanagan, Principal
Nancy Smith
William Manley
DCR Steriti Memorial Rink
561 Commercial Street | Boston, MA | 02109
Accessibility: Steriti Rink is accessible by stairs or a ramp to the main entrance. See our Accessibility Page to learn more about large print programs, our service animal policy, assisted listening devices and the steps we are taking to improve accessibility for all at BLO. If you have questions about accessibility in the venue please contact our Audience Services team so that we may best assist you at 617.542.6772 or access@blo.org.
Restrooms: The venue will have indoor restrooms as well as portable restrooms. There will be signs and staff available to guide you.
Amenities: Food will be available for purchase at all performances.
Coat Check: A self-serve coat check will be available.
Past Operas performed here: Boston Lyric Opera began working with the DCR Steriti Memorial Rink in 2016 during rehearsals for Carmen. This production required enough space for orchestra, chorus, and six onstage cars. The ice rink was the perfect fit. In May 2018, our production of Trouble in Tahiti and Arias & Barcarolles was performed here. Most recently, rehearsals for our May 2019 production of The Handmaid’s Tale was held here.
Food Trucks
Food Trucks will be located across the street in the parking lot at 588 Commercial Street.
The food trucks will vary for each performance. The schedule is as follows:
Friday, 9/27
- Kebabish
- Melt
- Say Pão de Queijo
Saturday, 9/28
- Kebabish
- Tacos Don Beto
- Zaaki Food Truck
Wednesday, 10/2
- Melt
- Pomaire Chilean
- Riceburg
Friday, 10/4
- Pomaire Chilean
- Say Pão de Queijo
- Tacos Don Beto
Sunday, 10/5
- Melt
- Tacos Don Beto
- Zaaki Food Truck
DCR Steriti Memorial Rink
561 Commercial Street, Boston
Public Transportation
Green Line or Orange Line to North Station and then 6 minute walk
4 Bus to Causeway St @ Medford St and then 2 minute walk
111 Bus, 426 Bus, 92 Bus or 93 Bus to N Washington St @ Medford St and then 3 minute walk
Driving Directions
From the North:
- Take I-93 S toward Boston
- Take exit 28 from I-93 S toward Charlestown/Sullivan Square/Assembly Square
- Take the ramp on the left to Charlestown/Boston/Sullivan Square
- At the traffic circle, take the 1st exit onto Rutherford Ave
- Continue onto N Washington St
- Turn left onto Causeway St
- Continue onto Commercial Street
- DCR Steriti Ice Rink is on the left
From the South:
- Follow I-93 N to North St
- Take exit 23 for Government Center toward Quincy Market
- Use the right lane to keep right at the fork and follow signs for North End/North Station
- Continue straight onto North St
- Turn right to stay on North St
- Turn right onto Lewis St
- Turn left onto Commercial Street
- Turn left to stay on Commercial Street
- Continue straight to stay on Commercial Street
- DCR Steriti Ice Rink is on the left
From the Mass Pike:
- Use the middle lane to take exit 24A-B-24C for Concord NH toward Quincy/I-93 S/I-93 N
- Use the right lane to continue toward I-93 N
- Keep right at the fork to continue on Exit 24B, follow signs for Interstate 93 N/Concord NH and merge onto I-93 N
- Take exit 23 for Government Center toward Quincy Market
- Use the middle lane to keep right at the fork and follow signs for North End/North Station
- Turn left onto Cross St
- Slight right to stay on Cross St
- Use any lane to turn right onto N Washington St
- Turn right onto Causeway St
- Continue onto Commercial Street
- DCR Steriti Ice Rink is on the left
Parking
Cooper Street Parking Lot
34 Cooper Street
$23 1-10 hours
Government Center Garage
50 New Sudbury Street
or 125 Bowker Street
$15 M-F after 5pm
$15 Saturdays and Sundays
$35 event rate
Longfellow Place Garage
60 Staniford Street
$36, 3-23 hour
Merrimac Street Parking Lot
1 Merrimac Street
$14, Evenings and Weekends
North End Garage
600 Commercial Street
$18 Sunday-Wednesday after 5pm
$24 Thursday-Saturday after 5pm
North Station Garage
121 Nashua Street
or 140 Causeway Street
$10 weekdays after 6pm and weekends 5am – 6pm
Stanhope Garage Inc
31 Lancaster Street
$10, Evenings after 4pm; $25 max
BLO is not affiliated with these parking options, and parking rates and availability are subject to change. Please note that TD Garden events may impact parking surrounding the DCR Steriti Ice Rink. Please be aware of the TD Garden event schedule when making your parking plans at https://www.tdgarden.com
Other Nearby Restaurants:
Filippo
Ducali
Tony & Elaine’s
Massimino’s
Things to do:
Freedom Trail
Paul Revere’s House
Old North Church & Historic Site
Copp’s Hill Burying Ground
Hanover Street
Rose Fitzgerald Kennedy’s birthplace
The Reviews are In!
ingenious production
– Heidi Waleson, The Wall Street Journal
A three-ring circus, and a lot of fun!
– Jeffrey Gantz, Boston Globe
Steriti Rink proved an excellent choice...An intimate telling of the opera’s story [with] superb singing! …Rafael Rojas [found] heft and power…culminating in a radiant “Vesti la giubba.” …Conductor David Angus, leading with swift, waving gestures, allowed the music to breathe naturally in all the right places…
– Aaron Keebaugh, Boston Classical Review
An immersive, substantial operatic extravaganza [and] a visceral sensory experience. BLO transformed the Steriti Rink into a circus wonderland!
– Nicholas Sterner, Boston Music Intelligencer
On virtually every level this was a crowd-pleaser… A thoroughly immersive carnival atmosphere…with unexpectedly enjoyable results…. The cast was outstanding… Lauren Michelle was outstanding
– Jack Craib, South Shore Critic
A fresh new way of presenting opera! For their return to the Steriti Memorial Rink, BLO went all out…. Michael Mayes was a tour de force…. Lauren Michelle, had a beautifully crystalline voice that gave Nedda a fiery…youthful energy…. Rojas [stopped] the show when it came time for him to sing “Vesti la giubba”; [he] brought pathos to the whole aria…. Tobias Greenhalgh made for a playful Silvio whose voice melded beautifully during his love duet with Michelle…. The chorus…was excellently managed in terms of staging: they weaved throughout the audience, and brought life to the opera’s many crowd scenes…. This Pagliacci is a testament to the effectiveness of BLO’s installation operas, and I cannot wait to see what is to come next.
– Arturo Fernandez, Schmopera
Production Photos
For press images, please visit
The Pagliacci Media Kit