In the Wings

In the Wings

Backstage glimpses with Boston Lyric Opera

Backstage glimpses with Boston Lyric Opera

Get to know Gioachino Rossini

The cast and creative team of La Cenerentola are hard at work, and our rehearsal halls are filled with laughter, high notes, and sparkling coloratura. There’s nothing not to like about spending a month with the music of one of opera’s greatest stars: Gioachino Rossini.  Rossini is most known for his operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. Though he retired from large-scale composition while still in his thirties - at the height of his popularity - his work set many standards for both comic and serious opera. Opera fans know [...]

By |2023-10-17T13:02:15-04:00October 17th, 2023|

Cinderella Goes to the Opera

We’re still riding high on the success of our Butterfly, but there’s no rest for the weary in opera! We’re already hard at work on our next production: Rossini’s charming take on Cinderella, La Cenerentola.  The story of Cinderella has inspired writers, poets, artists, playwrights, and composers for thousands of years. The story of Rhodopis, recounted by the Greek geographer Strabo sometime between 7 BC and AD 23, about an enslaved Greek woman who marries the king of Egypt, is usually considered to be the earliest known version of the Cinderella story. The Chinese fairy tale Ye Xian, in which the main character [...]

By |2023-10-17T12:56:30-04:00October 17th, 2023|

From the Director | Sept. 2023

Welcome to Boston Lyric Opera’s 47th Season! On behalf of all of us at Boston Lyric Opera, I extend a hearty welcome to the beginning of our 2023/24 season. This season, we embark on a journey of love – exploring the idea “All I have, I give for love.” This quote comes from our closing opera of the season, Eurydice, a new work by Boston-born composer Matthew Aucoin, based on the famous play by Sara Ruhl, and has become a theme that has resonated as we prepare these productions for the stage. Each story this season asks the question, [...]

By |2023-09-06T11:11:33-04:00September 6th, 2023|

Re-orienting Madama Butterfly: From the “white gaze” to inclusive opera

About twenty years ago, I attended a production of Madama Butterfly at San Francisco Opera. Even now, I recall the state of cognitive dissonance I experienced as an audience member. I wanted to immerse myself in the voices of the opera singers and in the visually stunning set design, but couldn’t shake my discomfort with the representation of the Japanese characters. As one of the only Asian audience members, I felt self-conscious and complicit with the racial stereotyping I witnessed. Madama Butterfly is the sixth most performed opera in the world and has occupied a position of privilege within [...]

By |2023-09-05T09:24:28-04:00September 1st, 2023|

Cio-Cio-San at War: Madama Butterfly, World War II, and the Japanese American Experience

On December 2, 1944, a newspaper from Cody, Wyoming published a small notice about a performance of Puccini’s Madama Butterfly at the Brooklyn Academy of Music the previous week. Oddly, the unsigned article does not contain any description of the performance itself. Instead, it dwells on the decision of the company’s director, Alfredo Salmaggi, to mount the opera, which had not been performed in New York City since the Japanese attack on Pearl Harbor on December 7, 1941. The article reports that Salmaggi had received “several letters of protests from relatives of service men” but also reminds that he [...]

By |2023-09-05T09:23:39-04:00September 1st, 2023|

Behind the Scenes of Madama Butterfly

Amid the familiar sounds of Puccini, we are taken from the nightlife of San Francisco's Chinatown to the fallout from Pearl Harbor, as told through voices and perspectives of Asian Americans during a critical time in American culture and history. The Chinese American nightclub scene peaked during World War II when Asian Americans of all backgrounds were commanding nightclub stages while defying racial and cultural barriers. Many performers presented publicly as Chinese American due to growing anti-Japanese sentiment in the United States. In this new production, Butterfly works as a singer in a nightclub while contributing to the war [...]

By |2023-08-18T11:38:03-04:00August 18th, 2023|

Dive Deeper: Madama Butterfly

Our new Madama Butterfly is directed by choreographer, dancer, author, and co-founder of Final Bow for Yellowface Phil Chan. This new production moves the story to 1940s San Francisco on the eve of Pearl Harbor. When Butterfly, a nightclub performer contributing to the war effort, meets Pinkerton, a young soldier, an unstoppable series of events is set in motion. Through the eyes of Butterfly, audiences will follow her journey from San Francisco to a Japanese incarceration camp, a journey many Japanese Americans lived during a critical moment in U.S. history. Today's deeper dive focuses on Japanese incarceration during WWII. [...]

By |2023-08-09T10:09:04-04:00August 9th, 2023|

5 Reasons to Send Your Child to Opera Camp

Welcome to CODA! Coda comes from the Latin word for “tail,” and in music, it indicates an additional passage at the end of a piece of music, a final flourish that compliments what’s come before. CODA goes beyond the curtain call to explore this unique and astonishing art form. Whether you’re a first-time opera-goer or a seasoned audience member, CODA is for you. Attention parents: enrollment in our annual Opera Camp has begun! In collaboration with our friends at VOICES Boston, Opera Camp is designed for rising 3rd-9th graders who have an interest in all things music, singing, and [...]

By |2023-07-24T11:37:13-04:00July 24th, 2023|

From Our Director – June 2023

Summer is finally here, and BLO has lots of excitement ahead. After a season filled with new highs and artistic successes, we kick off the summer with the world premiere of The Wanderer’s Tethering, a BLO commission from City of Boston Poet Laureate Porsha Olayiwola and Boston-based composer Mason Bynes. What excites me about this project is the intersection between art forms - poetry and music; spoken word and sung performance; chamber ensemble and narrative - and the powerful impact they make when telling a story. This project, our second partnership with the Boston Poet Laureate program, embodies and builds [...]

By |2023-06-08T14:19:21-04:00June 8th, 2023|

Anonymous Lover – Editors’ Foreword

[EXCERPT] Joseph Bologne, “Chevalier de Saint-Georges” (ca. 1739-1799) was a Parisian celebrity, acclaimed swordsman, composer, violin virtuoso, and conductor of one of the best orchestras in Europe. He also fought in at least one, perhaps two revolutions. Bologne was born to a teenaged enslaved woman, Anne “dit Nanon” on the Caribbean island of Guadeloupe. There is no record of his baptism, and primary sources have conflicting information regarding his date of birth. Bologne’s father, a wealthy plantation owner, brought the boy and his mother to Paris and introduced the young “Chevalier de Saint-Georges” into French society while ensuring he [...]

By |2023-06-15T12:33:19-04:00June 6th, 2023|
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