Opera & The Ordinary: History & Interiority in Fellow Travelers
In a 2018 interview, composer Gregory Spears explained that he was drawn to the subject matter of Fellow Travelers because he “really wanted to write an opera about ordinary people,” and he “liked that the central characters weren’t historical figures.” This seemingly simple juxtaposition—ordinary people versus historical figures—raises complex questions. Who gets to be an operatic subject? What kind of stories is the art form best equipped to tell? Can opera make the ordinary extraordinary? […]