About Richard Dyer

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So far Richard Dyer has created 6 blog entries.

360-Degree Art Form: Rosetta Cucchi

By | 2017-04-16T07:56:32+00:00 April 14th, 2017|

Last Season Cucchi’s direction of Puccini’s La Boheme for Boston Lyric Opera proved so successful that the Company invited her back to produce Mozart’s Le Nozze di Figaro this year. During a pause in preparations last week, Cucchi sat down in the break room in the rehearsal space in the Boston Center for the Arts to talk

Jane Eaglen’s Battle Cry: In It for the Music

By | 2017-03-01T17:26:53+00:00 March 1st, 2017|

Jane Eaglen made her American debut with the Boston Pops Esplanade Orchestra in the Hatch Memorial Shell on July 3 and 4, 1992. The soprano had been singing professionally in her native Britain for eight years and stood on the cusp of what turned out to be a major international career. Jane Eaglen made her American debut with the Boston Pops Esplanade Orchestra in the Hatch Memorial Shell on July 3 and 4, 1992. The soprano had been singing professionally in her native Britain for eight years and stood on the cusp of what ...

The Man about Town: David Cushing Sings in Rake and Figaro

By | 2017-02-26T11:12:27+00:00 February 25th, 2017|

The man to talk to about in the second half of Boston Lyric Opera's 2016/17 Season is David Cushing. The New Hampshire-born bass-baritone is the only soloist who will appear in both of the remaining productions, Stravinsky's The Rake's Progress and Mozart's The Marriage of Figaro.

Mark Anthony Turnage Interview

By | 2016-11-16T09:49:17+00:00 November 15th, 2016|

The world premiere of Mark Anthony Turnage’s first opera, Greek, took place on June 17, 1988 in Munich, Germany. The British composer had just turned 28, and his violent, visceral, in-your-face adaptation of the Oedipus myth propelled him into the forefront of composers of his generation. The press dubbed him “the angry young man of music,” a role he admits he delighted in playing for a number of years, and still enjoys from time to time. Now, 28 years later, he has mellowed a little without losing his edge and his capacity to create surprise – both in music and in conversation...